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[´Ù¸¥ »çÀÌÆ®·Î ±ÛÀ» º¹»çÇØ°¡½Ç °æ¿ì ±Û¾´À̸¦ ²À ¸í½ÃÇØ ÁÖ¼¼¿ä. ÀúÀÛ±Ç ÀÖ´Â ±ÛÀÔ´Ï´Ù.]


2021³â ¿ÃÇØ ¿¡¸£¸Þ½º Àç´Ü ¹Ì¼ú»óÀ» ¹ÞÀº ÀÛ°¡.


¸ð ´ëÇÐ Á¶¼Ò°ú¿¡¼­ °øºÎÇÑ ·ù¼º½Ç ÀÛ°¡ÀÇ ÇÁ·ÎÁ§Æ® ¿¹¸í, BJ ü¸®Àå

¸»ÀÌ ÇÊ¿ä¾øÀÌ ÀÏ´Ü ¿µ»óÀ» º¸°í ´À²¸º¸½Ã±æ Ãßõ.



ÀÌ ÀÛ°¡°¡ ¹é³²ÁØ°ú °°ÀÌ µ¿¿µ»óÀ» ¹Ì¼úÀÛÇ°À¸·Î ³»³õÀº °ÍÀ̶ó´Â °ÍÀ» ¸ð¸£°í º¸¸é,

µµ´ëü ÀÌ°Ô ¹«½¼ ÀÏÀΰ¡ ½ÍÀº ´À³¦ÀÌ µì´Ï´Ù.


¹«·Á "BJ"¶ó´Â ¸íĪÀ» ¾Õ¼¼¿î BJ ü¸®ÀåÀº À§ °èÁ¤¿¡ ´Ù¼¸°³ÀÇ ¿µ»ó¸¸ ¿Ã·Á ³õ¾Ò½À´Ï´Ù.

2019³â °ú·Î»ç·Î »ç¸ÁÇÑ BJü¸®ÀåÀÇ Àå·Ê½ÄÀ» ÀϹι̼ú°ü¿¡¼­ Ä¡¸¥ ¿µ»óÀÌ ¸¶Á÷¸·Àΰ¡ ½Í´õ´Ï¸¸, 

2020³â¿¡ ÁøÂ¥ ¸¶Áö¸· µ¿¿µ»óÀÌ ¿Ã¶ó¿É´Ï´Ù.


ÀÌ ÀÛÇ°µéÀ» Æз¯µð¹°À̳ª ³Ã¼ÒÀû »çȸºñÆÇÀ¸·Î º¸´Â ºÐµéµµ ÀÖÁö¸¸, Á¦ ÀÇ°ßÀº Á» ´Ù¸¨´Ï´Ù.

¹Ì¼úÀÌ Àΰ£»çȸ¿¡ ÀÛ¿ëÇÏ´Â ¹æ½ÄÀÌ ÀüÇô ´Ù¸£°í, 

±× È¿°ú°¡ ±³Á¶ÀûÀ̰ųª ±³À°ÀûÀ̰ųª °è¸ùÀûÀÎ ±â´É¸¸À» Ç°°í ÀÖÁö´Â ¾Ê±â ¶§¹®ÀÔ´Ï´Ù.


À§ ÀÛÇ°À» º¸°í °®´Â ´À³¦À» °¡´ÉÇÑ ÀϹÝÀûÀ¸·Î Ç¥ÇöÇÑ´Ù¸é, "ºÒÆíÇÏ´Ù"°¡ ¾Æ´Ò±î »ý°¢ÇÕ´Ï´Ù.

¾Æ¸¶µµ ºÒÆíÇÔÀÇ ÀÌÀ¯´Â,

1. Åë»óÀÇ ¿©¼º BJ°¡ º¸¿©ÁÙ ¹ýÇÏÁö ¾ÊÀº ¸ÞÀÌÅ©¾÷, À̸¶ÀÇ ÀåÄ¡, Àμ­Æ® È­¸éµé, ¹è°æ, ¹æ¼ÛÀåºñ µî

2. ¿Ü¸ð¿Í ±«¸®µÈ ¸»Åõ¿Í ¸ñ¼Ò¸®, ±â±«ÇÑ? ȤÀº ÀüÇüÀû? ¾îÁ¶

3. ¸»ÇÏ´Â ³»¿ëÀÇ È²´çÇÔ ¹× ±âŸµîµîÀÇ º¹ÀâÇÑ ±×·¯³ª ¾îÀ̾ø´Â ´À³¦

¿¡¼­ ¿À´Â °Í °°½À´Ï´Ù.


ÀǵµÀûÀ¸·Î ¹Ìµð¾î°¡ Àü´ÞÇÒ ¼ö ÀÖ´Â ¸ðµç ½Ãû°¢ ¼ö´ÜÀ» È°¿ëÇÏ¿© °ü°´¿¡°Ô "ºÒÆíÇÔ"À» Àü´ÞÇÑ BJ ü¸®Àå.

¿Ö, ÀÛ°¡´Â ÀÌ·± ºÒÆíÇÔÀ» Àü´ÞÇÏ·Á ÇßÀ»±î¿ä?

Àΰ£Àº ºÒÆíÇÔÀ» ´À³¢¸é ±× ¿øÀÎÀ» ãÀ¸·Á´Â º»´ÉÀÌ Àֱ⠶§¹®ÀÔ´Ï´Ù.


¼¼°è´ëÀü ÀÌÀü ½Ã°¢Àû ¾Æ¸§´Ù¿òÀ» Ãß±¸ÇÏ´ø ¼­¾ç ¹Ì¼úÀÌ Áö±ÝÀÇ Çö´ë ¹Ì¼ú·Î ¹ßÀüÇÏ¸ç °ÞÀº

°¡Àå Å« ÁöÇâÁ¡ÀÇ º¯È­ Áß Çϳª´Â ÀÌÀüÀÇ ¹Ì¼úÀÇ ºÎÀÎÇÏ´Â °ÍÀÔ´Ï´Ù.

¹Ì¼úÀÌ ¾Æ¸§´Ù¿ò¸¸À» º¸¿©ÁÖ´Â °ÍÀÌ ¾Æ´Ï¶ó, 

ÃßÇÔ, ºÎÁ¶¸® µî ÀÌÀü ¹Ì¼úÀÌ Ãß±¸ÇÒ ¹ýÇÏÁö ¾ÊÀº °ÍÀ» Ž´ÐÇÏ¿© 

ÀÌÀüÀÇ ¹Ì¼úÀ» ºÎÁ¤ÇÏ°í »õ·Î¿î ¹æÇâÀ» ¸ð»öÇϱâ À§Çؼ­¿ä.


Çö´ë¹Ì¼úÀÛ°¡ ·ù¼º½ÇÀº ±×ÀÇ ÀÛÇ°À» ÅëÇØ ¾î·ÅDzÇÑ "ºÒÆíÇÔ" ȤÀº "Ȳ´çÇÔ" ȤÀº "°ÅºÎ°¨"À» ÅëÇØ

°ü°´, ¾Æ´Ï Àΰ£¿¡°Ô º¯È­¸¦ ÀÏÀ¸Åµ´Ï´Ù.

ÀÌ º¯È­¶õ, ƒÆ´ÞÀ½Àϼöµµ ÀÖ°í, ºÐ³ëÀϼöµµ ÀÖÀ¸¸ç, ÇൿÀÇ ¹ß´ÜÀϼöµµ ÀÖ°ÚÁö¿ä.

ÇÏÁö¸¸, ¾î¶² ƯÁ¤ÇÑ ÇൿÀ̳ª Áö½ÄÀÇ Àü´Þ, °è¸ùÀû °æÇèÀÌ ¸ñÀûÀÌ ¾Æ´Ï¶ó´Â °ÍÀÌ

Æз¯µð, ¼±Àü¼±µ¿, ±³À°°è¸ùÀû ÄÁÅÙÃ÷¿Í È®¿¬È÷ ´Ù¸¥ Á¡ÀÔ´Ï´Ù.


ÀÛÇ°³»¿ëÀ» Àü´ÞÇÏ´Â ´ë»óµµ °³Àθ¸ÀÌ ¾Æ´Ñ, Áý´Ü ȤÀº »çȸ ÀüüÀÏ ¼öµµ ÀÖ½À´Ï´Ù.

°³Àο¡°Ôµµ ±×ÀÇ °¨¼º, Áö¼º, À̼º ¸ðµÎ¿¡°Ô ¹Ìµð¾î°¡ ¿µÇâÀ» ³¢Ä¥ ¼ö ÀÖ´Â ¸ðµç ¹æ¹ýÀ¸·Î Àü´ÞÇÏ°í ÀÖ°í

±× Àü´ÞÈ¿°ú°¡ °³°³ÀÎÀÌ°Ô ¸ðµÎ ´Ù¸£°Ô ³ªÅ¸³ª´Â °ÍÀ» È®ÀÎÇÒ ¼ö ÀÖ½À´Ï´Ù.

½ÉÁö¾î µ¿ÀÏÀο¡°Ôµµ ÀÌ ÀÛÇ°À» º¸´Â ½Ã°£°ú Àå¼Ò¿¡ µû¶ó ´Ù¸¥ ´À³¦À» ºÒ·¯ÀÏÀ¸Åµ´Ï´Ù.

¼±Àü¼±µ¿°ú ±¤°í°¡ ÇϳªÀÇ ¸ñÀûÀ» À§ÇÑ ÄÁÅÙÃ÷ÀÎ ¹Ý¸é

¿¹¼úÀÛÇ°Àº ƯÁ¤ÇÑ ¸ñÇ¥°¡ ¾øÀ¸¸ç ÀÛÇ°°¨»óÀÇ ¹ÝÀÀÀÌ ÀÚ¿¬½º·´°Ô ´Ù¾ç¼ºÀ» ¶ì°ÔµË´Ï´Ù.


ÀÛÇ°À» º¸´Â °ü°´¿¡°Ô ÀÌ ºÒÆíÇÔÀÌ ¾îµð¼­ ¿À´Â°¡¸¦ »ý°¢ÇÏ°Ô ÇØÁÖ´Â BJ ü¸®Àå.

±×¸®°í ÀÌ ÀÛÇ°ÀÇ ºÒÆíÇÔÀ» Çؼ®ÇÏ°íÀÚ 

Á¸À縸À¸·Î¼­ÀÇ ÀÚ±âÀÚ½Å, 

Áý´ÜÀÇ ÀÏ¿øÀ¸·Î¼­ÀÇ ÀÚ±âÀÚ½Å,

¹ÏÀ½ÀÇ Ã¼°è¸¦ °¡Áø °³Ã¼·Î¼­ÀÇ º»ÀÎ µî

½ÇÀçÇÏ´Â ¼ö¸¹Àº ·¹À̾¼­ÀÇ °³ÀÎÀ» ½º½º·Î¿¡°Ô ȯ±â½ÃÅ°°í

¶Ç ´À³¢°Ô ÇÏ´Â ÀÛ°¡ÀÔ´Ï´Ù.


BJ Cherry Chang–The Contemporary Art Shown By Korean 20¡¯s Artist

 

The 2021 award winning artist in fine art by Hermes foundation.

BJ Cherry Chang is a stage name of the artist Ryu, Soengsil majored Sculpture in Univ. Above all, you should watch one of her works on YouTube.


Probably, you must be puzzled on this footage unless she is an video artist like Peak, Namjun, the famous Korean one. BJ Cherry Chang, daring use title ¡°BJ¡±, have uploaded only five footages on her YouTube account. The 2019 Footage seemed to be the last one that showed the funeral of BJ Cherry Chang died of overwork in Ilmin Gallery, but the latest footage appeared in 2020, titled ¡°the feeling of the first-class seat travel¡±.

You could consider those footages to be parodies or cynical and sardonic critics on our society, yet my opinion looks different. The fine art has a different functioning ways on human society, and its influences are not just dogmatic, enlightening, and educational.

The prevailing appreciation of the work above would be, generally, ¡°UNCOMFORTABLE¡±, I guess. The reasons why you felt that way are, maybe,;

1.       Unusual Makeup far from usual female BJ, the device on her fore head, insert clips on the footage, background of the footage, and unconventional broadcasting equips,

2.       The grotesque and typical voice and tone beyond her appearance. 1.        

3.       The ridiculous contents of her saying and complex but absurd feelings

Intentionally using every possible measure of sights and hearings, she had delivered discomfort to her audience. What made her deliver such a discomfort her own audience? When human-being feels uncomfortable, it is their instinct to find out the source the reluctantness and unhappiness.

             The most important changes of fine art in its development from one seeking sight for sore eyes before World Wars to the contemporary one are denying the identity of previous fine art itself. The new one has presented ugliness and absurdity which the previous one might not have indulged to search a new direction and purpose.

             The contemporary fine artist Ryu, Seongsil is making changes on her audience, even human-being through unidentified ¡°discomfort¡±, ¡°embarrassment¡±, and ¡°denial¡± with her works. Those changes could be enlightenment, wrath, or a trigger of an action. Definitely, its purpose is not certain action or delivery of knowledge or enlightening experience not like parodies, propaganda, or educational contents.

             A Group or Society itself can be the target of delivery and influence of her work as well as individuals. In terms of individuals, her works convey its contents to their emotional, intellectual, and rational aspects through possible influential methods of the media, and the impacts on each of them make respective results. Furthemore, the same person can recognize the different feelings and influences according to the times and places on her work. The propaganda and commercials have the only purpose, on the contrary, but art works have no goals. That makes the source of diverse results naturally.

             BJ Cherry Chang who makes audience watching her works think where those discomfort comes from.

Hence, she helps and urges us to analyze and solve those uncomfortable things by; the speculation on myself as an existence, identification of myself as a member of certain communities, and a recognition of particular system of belif as an entity to arouse and divert on the numberless present layers of myself.


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´Ù¸¥ 4°³ÀÇ µ¿¿µ»óµµ ¼Ò°³ÇÕ´Ï´Ù. ´õ °¨»óÇÏ°í ½ÍÀº ½Å ºÐµéÀº °í°í°í.








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